SDXL 1.0

Author: Stability

SDXL 1.0

Use this model for creating image

No. API Calls
1733060
Uploaded
Sep 20, 2024
Model ID
sdxl

Images
Generated

Images generated with SDXL 1.0 and its prompt

 His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward.

His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward.

 His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.

His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.

 Posheco, modern, fantasy, realistic, portrait, art by donato giancola and greg rutkowski, realistic face, digital art, trending on artstation hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

Posheco, modern, fantasy, realistic, portrait, art by donato giancola and greg rutkowski, realistic face, digital art, trending on artstation hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

 First responders, power plant workers, firefighters, and liquidators who were exposed to lethal doses of radiation in the immediate aftermath of the Chernobyl explosion or during the cleanup efforts and died shortly thereafter were buried in special coffins made of zinc. These coffins were designed to be airtight and waterproof, and were often lined with a layer of lead or other sealing materials. The burials took place in designated, restricted areas, often beneath layers of concrete. Funerals were conducted quickly and with a high level of secrecy, without access for family members, in order to prevent gathering near highly radioactive remains. This method was believed to effectively contain the radiation within the bodies and prevent its

First responders, power plant workers, firefighters, and liquidators who were exposed to lethal doses of radiation in the immediate aftermath of the Chernobyl explosion or during the cleanup efforts and died shortly thereafter were buried in special coffins made of zinc. These coffins were designed to be airtight and waterproof, and were often lined with a layer of lead or other sealing materials. The burials took place in designated, restricted areas, often beneath layers of concrete. Funerals were conducted quickly and with a high level of secrecy, without access for family members, in order to prevent gathering near highly radioactive remains. This method was believed to effectively contain the radiation within the bodies and prevent its

 Lobo y perro sentados uno junto al otro de espaldas contemplando la luna llena, realistic, portrait, art by donato giancola and greg rutkowski, realistic face, digital art, trending on artstation hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

Lobo y perro sentados uno junto al otro de espaldas contemplando la luna llena, realistic, portrait, art by donato giancola and greg rutkowski, realistic face, digital art, trending on artstation hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

 masterpiece, best quality, draw a table lamp emitting a light at a small toy soldier with a gun -- then have a small real child be afraid of the shadow cast on the wall

masterpiece, best quality, draw a table lamp emitting a light at a small toy soldier with a gun -- then have a small real child be afraid of the shadow cast on the wall

 His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.

His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.

 His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.”

His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.”

 masterpiece, best quality, fox, Forrest, moon, family tree

masterpiece, best quality, fox, Forrest, moon, family tree

 gato

gato

 masterpiece, best quality, surreal and dreamlike photograph of a lone figure standing on a desolate beach at sunset. The figure is dressed in a flowing white gown, billowing in the wind, as if it's a part of the natural landscape. The beach is littered with seashells and driftwood, creating a sense of mystery and enchantment. The sky is filled with vibrant hues of orange, pink, and purple, casting a warm and ethereal glow over the scene. The atmosphere is serene and peaceful, evoking a feeling of tranquility and introspection. The photograph is captured using a wide-angle lens, capturing the vastness of the beach and the expansive sky. The lighting is soft and golden, casting long shadows on the sand. The realization of this image is a high

masterpiece, best quality, surreal and dreamlike photograph of a lone figure standing on a desolate beach at sunset. The figure is dressed in a flowing white gown, billowing in the wind, as if it's a part of the natural landscape. The beach is littered with seashells and driftwood, creating a sense of mystery and enchantment. The sky is filled with vibrant hues of orange, pink, and purple, casting a warm and ethereal glow over the scene. The atmosphere is serene and peaceful, evoking a feeling of tranquility and introspection. The photograph is captured using a wide-angle lens, capturing the vastness of the beach and the expansive sky. The lighting is soft and golden, casting long shadows on the sand. The realization of this image is a high

 Future photos of the Soviet city. hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

Future photos of the Soviet city. hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

 Satr Wasmrs con la Remera de Argentina hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

Satr Wasmrs con la Remera de Argentina hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

 This photo was taken on September 1st 1986, exactly 128 days, or 4 months and 4 days, after the Chernobyl catastrophe took place. It captures my first day at in Gomel, Belarus. I had just turned that summer. In the photo, one can see my clmates and our teacher. Some are standing with their arms hanging beside their bodies, while others are seated on a low bench with their hands neatly placed on their . The students are arranged in three lines: 10 in the 3rd (top) back line, 9 in the 2nd (middle) line, and 13 in the 1st front line, totaling 32 students. There are 17 boys and 15 s, distinguished by the dress code. My friend Genadi is 4th from the right in the 3rd (top) line. I am seated in the very center of the

This photo was taken on September 1st 1986, exactly 128 days, or 4 months and 4 days, after the Chernobyl catastrophe took place. It captures my first day at in Gomel, Belarus. I had just turned that summer. In the photo, one can see my clmates and our teacher. Some are standing with their arms hanging beside their bodies, while others are seated on a low bench with their hands neatly placed on their . The students are arranged in three lines: 10 in the 3rd (top) back line, 9 in the 2nd (middle) line, and 13 in the 1st front line, totaling 32 students. There are 17 boys and 15 s, distinguished by the dress code. My friend Genadi is 4th from the right in the 3rd (top) line. I am seated in the very center of the

 Photographs of the streets of the USSR with posters of Stalin, Lenin, in the future. hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

Photographs of the streets of the USSR with posters of Stalin, Lenin, in the future. hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

 Star Wars con la remera de River Plate hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

Star Wars con la remera de River Plate hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

 Veider con la casaca de River Plate hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

Veider con la casaca de River Plate hyperrealistic, full body, detailed clothing, highly detailed, cinematic lighting, stunningly beautiful, intricate, sharp focus, f/1. 8, 85mm, (centered image composition), (professionally color graded), ((bright soft diffused light)), volumetric fog, trending on instagram, trending on tumblr, HDR 4K, 8K

 His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward.

His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward.

 His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.”

His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise. it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.”

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